187: 古事記・流砂
We continue to head west, burying ourselves in the relentless march of time. The old Silk Road from Xinjiang to Kabul and Mashhad was a daring journey to those sinewy and greedy. Take a moment to be stuck within the alluring sounds of dutar and rubab, as what we might do today on Kojiki. There are tears and laughters and scars and hope on this landscape. As the sands shift, and life goes on.
Listen on wrir and wrir.org / 1pm-3 ET
Art: 村岡貴美男 Kimio Muraoka – 琥珀の記憶 (AKAAKA)
Show archive
Playlist
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Bijan Samandar, “Ahooye Leyli (Leyli's Deer)”
from Music Of Iran: تار = The Tar, Vol. 2
Lyrichord - 1971
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Unknown, “Talimoo Dotar + Dap + Rushtar + Voice By Sulipiaye Kurban Adengr”
from Uyghur Instruments
kinkgong - 2009
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Gündenbiliin Yavgaan, “Praising Epic Of Altai”
from Virtuosos From the Mongol Plateau
Seven Seas - 1994
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カンバルカン・フォーク・アンサンブル, “MAKHABAT IRI”
from THE WORLD ROOTS MUSIC LIBRARY: MUSIC OF KYRGYZSTAN～KAMBARKAN FOLK ENSEMBLE
KING RECORDS - 2008
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木沙江・肉孜 (Musajan Rozi), “Qeshqer Qizi / 喀什姑娘”
from Musajan Rozi: The Korla Diaries (木沙江·肉孜：库尔勒日记)
Tash Music - 2015
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Aqi Pishak, “Untitled (Love Song)”
from Music In The World Of Islam, 1: The Human Voice
Tangent Records - 1976
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Moussa Kassimi, “Traditional / Dari”
from Teahouse Music of Afghanistan
Smithsonian Folkways Recordings/Folkways Records - 2004
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Mohammad Ismaili, Faromarz Payvar, “Zarb And Santur In Dastagh Shur”
from Music In The World Of Islam, 6: Drums & Rhythms
Tangent Records - 1976
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Kheyal, “Song of the Desert”
from Music of Afghanistan
Smithsonian Folkways Recordings/Folkways Records - 2004